Auburn Lull

Auburn Lull is a band from the States (Michigan, to be exact), but they could very well be mistaken for a British group. Why? Well, the UK is often known for its share of dream pop artists from the late 80s/early 90s (to which Auburn Lull certainly take a cue from in their style). This region is also known for its abundance of overcast skies, and such weather is bound to cast a shroud of melancholy on the individuals who dwell there. These characteristics manifest themselves in the music Auburn Lull creates. It's a delicate blend of ambient and dream pop that should send even the most cynical minds soaring into the clouds.

My first encounter with the band came with their 2008 release, Begin Civil Twilight. It was only the third album of the band's career, a career that debuted with the 1999 debut, Along I Admire. Their second album, 2004's Cast From the Platform, is the only one left for me to hear. They have a sound that can be compared to the likes of Slowdive at their dreamiest and laid back. In fact, I'm willing to bet that if you love Slowdive then you'll fall just as hard for Auburn Lull.

Going back to the two albums I have had the pleasure to spend time with, I can assuredly say that I'm a big admirer. I'm only just scratching the surface with Alone I Admire, but it appears to be more solid from beginning to end. Begin Civil Twilight carries some slight inconsistencies in songwriting, even if the atmosphere remains dense throughout. A song that I seriously insist you check out from said album though is this one:



Even though I said I have less experience with Alone I Admire, I've already picked up on some achingly tremendous songs, one showcasing their dream pop side, and the other exemplifying the ambient aspect of their sound:





If you like what you've heard, don't hesitate to check out the full length albums.

A Sunny Day in Glasgow

Artist: A Sunny Day in Glasgow
Album: Ashes Grammar
Release Date: 2009
Genre: Dream Pop/Ambient/Shoegaze

With as much music as I tend to listen to these days it's rare that a single artist not only stands out to me and causes many repeated listens, but drives me toward addiction, elates my soul and accordingly launches themselves to the top of my current favorite artists so quickly. It happened earlier this year after being introduced to the wonderful St.Vincent, and now I feel that the process has begun anew with my new favorite Dream Pop/Shoegaze outfit hailing from...you guessed it, Philadephia (you were thinking Glasgow, weren't you?).

What causes this band to stand out for me is, like any great band, a combination of cohesive elements. First and foremost there are the vocals. Light, airy, dreamy (naturally), and harmonious, they drive the majority of the melodies on the album, sometimes without even needing to utilize lyrics, such as the "ah ah" moment in the song "Shy." Jen Goma and Annie Fredrickson are the two women behind the mic if you're wondering. While they definitely take vocal cues from dream pop bands of yore, they're in no way copycats. They simply use that inspiration and make it their own. It's both nostalgic and refreshing. In addition to said vocals, there's of course the instrumentalists who bring a wide array of sounds to the table. Although the band does use guitar in many songs, it's not the instrument that's solely responsible for creating the soundscape. When it does take the lead, such as in "The White Witch", it can be very uplifting. Or sometimes the guitars become full of fuzzy distortion that calls to mind the classic shoegaze of My Bloody Valentine. But more often in this album you have the keyboards and electronic sounds dominating. I think this attribute also plays a large role in causing the album to sound very modern and work as successfully as it does.

But above it all, it's the songwriting that makes this record pure gold in this listener's opinion. There are hooks everywhere, atmosphere aplenty, and a good amount of depth that will keep you coming back for more. The album also flows extremely well, each song bleeding into the next, making for a satisfying experience. So if you're a fan of this genre or even if you're not and have been itching to find something new and different in a music world saturated with the mundane, I heartily suggest you give this album a try.

Recommended songs: "Shy", "Nitetime Rainbows", "Passionate Introverts (Dinosaurs)", "Close Chorus", "The White Witch"

http://www.myspace.com/sunnydayinglasgow